Creativity, techniques and different approaches in dance filmmaking/Screendance | Mike Tyus

Long before the formulation of the world’s first MA in Screendance by the LCDS, the genre had already dated as far back to the early days of cinema. Gene Kelly emerged as a prominent figure during the 1940s and 50s after he starred in and co-directed the classic film "Singin' in the Rain" (1952). In contemporary cinema, dance continues to play a significant role through films such as "Black Swan" (2010), "La La Land" (2016), which have all brought dance back into the spotlight for the next generation of creators to continue evolving.

One such creator is dancer, choreographer, and creative director hailing from the vibrant city of Los Angeles, California - Mike Tyus. Tyus has graced the stages of renowned companies including Cirque Du Soleil, Pilobolus Dance Theater, while collaborating with visionaries like Sidi Larbi Cherkoui and Inbal Pinto. His choreographic style is a captivating fusion of his diverse training, blending elements from circus theater, acrobatics, ballet, and Greco-Roman wrestling to create a truly unique and mesmerizing art form as evidenced with the likes of the LA Dance Project and Joffrey Ballet. In 2020, he established Mike Tyus & Co, a dance company dedicated to bringing his visionary work to life, with an impressive repertoire of over 13 films and a litany of original works and branded commercial campaigns featuring SONY, Apple, and Abercrombie & Fitch.

Continuing a brand new season and month of Dance Choreography, this episode ponders about the ideas and potential of creating dance for the camera, and what it takes to succeed as a screendance choreographer. Ready to discover the filmmaker within you? Join us as we foreground dance in the background!
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🎧 Listen to the full episode on The Background Dancer podcast
https://www.backgrounddancer.com/s2e10/

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